- Amanda Bennett "Claiming the Culture: An Examination of Black Christianity and Black Masculinity within Neoliberal Political Rationality"
- Augustus Durham "I Love Lucy, I Think?: The Black Feminism of Lamar’s Pimped Butterfly; or, The Making of Kendrick Dinkinesh"
- Mark Anthony Neal "The Excesses of Interiority: On the Footnotes of 4:44"
- Antonia Randolph "Men Birthing Intimacy: The Case of Jay-Z’s 4:44"
Moderator: Tyina Steptoe
Black male vulnerability is having a moment within popular music. From the #YouGoodMan campaign that sprung up when Kid Cudi revealed that he checked himself into rehab for suicidal thoughts and depression to Jay-Z’s unprecedented vulnerability on 4:44, black male musicians are offering glimpses into their inner world. This panel examines how a range of black male artists balance the hegemonically masculine demand that men stifle their emotions with an emerging space for black men to be openly vulnerable. We ask what conditions allow black male musicians to show their inner lives and examine which fragments of themselves they choose to show. Papers include examinations of the political economy in the music industry that allows Chance to Rapper to profit from his performance of being a “safe” rapper (Amanda Bennett), but pushes Jay-Z’s mediations on black interiority into the excesses of music production, in the form of the video footnotes for
4:44 (Mark Anthony Neal). Another paper argues that men collectively birthed the intimacy that is the hallmark of
4:44, while the final paper finds feminist poetics on certain tracks in Kendrick Lamar’s
To Pimp a Butterfly (I. Augustus Durham). Taken together, the papers present a kaleidoscopic view of the emotional landscape of black male musicians working today.