- Diana Buendía "My Blood, My Eyes: Ibeyi Within the Politics of Afro Cubanidad & Transcultural Spectatorship"
- Ashon Crawley "The Hammond B-3: Blackness and Circum-sacred Performance"
- James Hill "I’ll Be Grotesque Before Your Eyes: Black Religion, Michael Jackson, and the Monstrosity of Racial Performativity"
- Christina Zanfagna "The Bondage of Bling: Chain Gangs in Pop Music from Black Power to Black Lives Matter"
Moderator: RJ Smith
What does the concept of the spiritual do to the sound heard, the sound felt, the hearing and feeling of worlds otherwise? These worlds otherwise would be heard and felt as the suffusion of that which stands with and before and against normative understandings of spacetime as linear and forward propulsive. These worlds otherwise would be heard and felt as a critique to the concept of the normative world and its production of racial, class, gender and national stratifications, hierarchies and violences that attend such differentiation. This panel brings together four papers that attempt to think the concept of the spiritual with relation to black sound, sounds of blackness, to intervene into performance studies and sound studies by way of black sonic cultural production as a force and verve and practice.